Lyric changes its display if you put your hand near it, showing track title, album, and artist over the cover art that it displays when streaming. A quick scroll through the menu reveals that inputs can be named and the analogue one can be converted to AV direct (effectively cutting out the volume control). You can also specify 2.0 or 2.1 speaker set up and backlighting has three modes. Being Cyrus’ attempt to woo the smartphone generation it is also ‘made for’ all things iOS, and can stream wirelessly from any phone with aptX enabled Bluetooth. Control is achieved with a supplied remote that lights up its buttons when you move it. Unlike the n-Remote supplied with classic Cyrus products, this does not have a screen nor is it rechargeable. Instead, you are encouraged to use the Cadence app on your Android or iOS device, a piece of software that seems to work well on both platforms. It even has buttons for Wikipedia info look-up as well as instant social media links, so that you can tell the world what you are enjoying on your Lyric, in the musical equivalent of a selfie. Internet radio is covered by TuneIn, which requires a small amount of computer interaction to set up presets. In addition, both A and B variants of the USB input are available for computer audio, memory sticks or tablet/phone connection. In other words, it can do almost everything, all the time.
But does it encourage you to listen? Yes, is the short answer. For a start it’s intuitive to set-up and use. If you wire Lyric into the network with an Ethernet cable, you don’t even need to use a password; it’s ready to roll. The supplied handset is a little unconventional, with unusual graphics in place of words, but it doesn’t take long to learn. More importantly, once you have the app, the remote becomes almost redundant, but might prove useful for volume and play/pause. The volume wheel on the Cadence app works nicely though, allowing small volume changes (unlike most slider designs) and the level is writ large on the unit’s display. In fact, all the key info on the app is reflected in that small front panel screen, including album art.
Hooked up to PMC fact.8 loudspeakers with Townshend Isolda cable, the sound is pacey and very open. It is also uncannily clean. That’s not a bad thing; it is a large part of the Lyric 09’s sonic appeal, and the wider appeal of Cyrus products in general. The Cyrus Lyric 09 makes many of its rivals sound a little grubby or earthy in comparison, but without the over ‘shiny’ sound that you might expect from an amp designer over-compensating. It has excellent depth when the recording allows, and always works well with regard to tempo. There is a slight emphasis on the mids and highs, which enhances the sense of space and subtly reinforces leading edges, but it also brings out a lot of detail. Norah Jones is in fine fettle singing ‘Court and Spark’ with Herbie Hancock [River: The Joni Letters, Verve], where you can follow the brushwork of the drummer with ease yet its easy to become immersed in the song.
The CD player is also pretty decent, a bit of Mozart opera sounding very even-handed and spacious. Once again, scale and image depth aren’t as strong as with streamed material, but the disc gives up a lot of precision and poise. The digital input, coax, is likewise rather engaging. I hooked up a rather more expensive streamer in the Naim NDS and heard the benefits that it brings in close to full effect. These amount to far denser resolution, which makes things more realistic, warm, and musically complete. Timing was clearly superior as well, and this made the combo very hard to put down, which proves the strengths of the DAC and amplifier side of Lyric. Going one step further and connecting the analogue output of an Antelope Platinum DSD DAC (also fed by the NDS) brought greater focus, much enhanced image depth, and a more realistic/less obviously open presentation. But it’s important to remember that the source and DAC here are considerably more expensive than Lyric. However, this shows that the amplifier is not a limiting factor and makes me very keen to get my hands on the power amp that Cyrus is launching in the autumn.
Using the Cyrus alone and hooking it up to the Vivid Giya G3 speakers that have been distracting me of late proved to be a very enjoyable and enlightening experience. Gregory Porter’s ‘No Love Dying’ [Liquid Spirit, Blue Note] sounded positively sumptuous; calm yet taut, and smooth enough to be turned up to 11. That was achieved with the CAD CAT used as NAS; switching to a Naim UnitiServe added considerable leading edge bite that gave the song more drive and energy, if undermining the degree of resolution. In this set up, the Naim worked a little better, with this polished album at least.