Oppos Enhanced: NuForce BDP-93 NE & NXE Blu-ray/ Universal Players (TPV 106)

Multi-format disc players,
Source components
Nuforce BDP-93 NE
Oppos Enhanced: NuForce BDP-93 NE & NXE Blu-ray/ Universal Players (TPV 106)

Part of the NXE’s “more modern sound” involves superior low bass extension. And by low bass I mean signals below 60 Hz. The four subwoofers in my system displayed far more subsonic movement when reproducing the sound of the recording venue’s ventilation systems when fed from the NXE board. On music this added low bass extension translated into a more solid and firmly rooted overall presentation.

Despite the NE’s supposedly more triode-like sound and less extended treble presentation, I found the NE had a bright zone that made the lower treble region sound tinnier through the NE than the NXE. Bells, cymbals, and other high-pitched percussion instruments on Saltero had a slight edge that wasn’t quite as natural or relaxed. On Cellist’s Holiday when De Rosa’s plays upper harmonics on his cello they sound substantially harsher and thinner through the NE. Some listeners might find the NXE sounds “too dark” when compared to the NE, but I felt the NXE smoothness across the full frequency range gave it a less artificial character.

The NE’s bright zone also emphasized a slight amount of grain in the overall texture of the music. On Cellist’s Holiday De Rosa’s cello had a rosiny edge through the NE that gave it a more nasal harmonic balance. Through the NXE this grain was gone, as well as the slightly nasal character in the cello’s upper registers.

When I compared the two units using the Ole Bull Violin Concertos (2L, SACD) I heard all the same differences as with standard definition discs. Once more I was struck by how “logical” the soundstage was through the NXE and how easy it was to locate instruments in the mix and to sense their actual physical dimensions.

How did the NuForce NXE board fare against the Oppo BDP-95? For two-channel material I used the BDP-95’s dedicated balanced two-channel output, but I also listened to the single-ended RCAs. After many hours using CDs, SACDs, and Blu-Ray music discs, I declared a tie. The “best” sounding unit depended on the source. For two-channel-only material the BDP-95 delivered the best sonics. It combined slightly better low-level detail with superior low-frequency weight and definition. But on multi-channel sources, such as music Blu-Rays and movies, the BDP-93 NXE multi-channel outputs had superior fidelity to the BDP-95’s standard 5.1 outputs.

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